Daniel Jones's first symphony, performed in 1945, is generally acknowledged to be the earliest symphony of any significance by a Welsh composer. In 1950 he won the Royal Philharmonic Society Prize for his Prologue for orchestra, and it was he who composed the incidental music for the classic 1954 production of Under Milk Wood. He took a great interest in structures and complex patterns in nature, and this is reflected in his music, where he uses complex rhythms and time signatures. He interested himself in the folk music of many countries, but did not make obvious use of traditional Welsh music in his work. Because he avoided the fashions of the day in music he was rated by some a traditional composer, but because he retained his individuality in his compositions, he succeeded in writing music which is both contemporary and accessible. He composed twelve symphonies and eight string quartets. His Fourth Symphony (1954) was dedicated to the memory of Dylan Thomas, and he also wrote, in addition to the twelve, a symphonic work in memory of John Fussell (1933-1990), the director of the Swansea Music Festival. His opera The Knife was performed at Sadler's Wells. His choral works are lyrical and singable: The Country Beyond the Stars, to words by Henry Vaughan, was written in 1958, and in 1977 he composed a series of choral settings of William Blake, entitled Hear the Voice of the Bard. He received a number of commissions from the BBC, the National Eisteddfod and Welsh music festivals. In 1961 he delivered the annual lecture of the BBC in Wales, Music in Wales, in which he set out his ideas on the relationship of art and national character.
He married in 1936 Eunice Bedford and in 1950 Irene Goodchild. There were three daughters of the first marriage and a son and daughter of the second. He died at his home in Newton near Swansea on 23 April 1993. His manuscripts are preserved at the National Library of Wales.
Dr Rhidian Griffiths, Aberystwyth
Published date: 2014